Schoeps CMC4 Cardioid Small Diaphragm Condensor Mic
The Schoeps Colette review
There is nothing other to be said about those microphones than: they are fantastic. I came across those mics in the first studio I’ve ever worked in in Germany. Just like the HÖF compressor. When I had the finances I checked on Ebay and found this particular pair instantly. I now have them up constantly somewhere in the room and around the instruments and voices – close, far, up, down, roomy or dry.
I literally meander around the room until I get the sound I need, which then most often doesn’t have to be equalized much. Don’t get me wrong the Schoeps are outrageously good when heavily compressed and otherwise processed – like I explained in the AKG C-414 article.
My pair of CMC4 with Cardioid and Hyper Cardioid capsules are from the Colette Series. Purchased from their first owner, a sound recordist in Switzerland, who bought them ‘sometimes in the mid 1970ies, when they first came out’ to be used during film productions. Given their age these can be considered vintage. They work on T-Power instead of phantom power and seem to have a larger output than the new ones.
